See Live Internet Radio Broadcasts from Las Vegas — NAB, BEA and the RAIN Summit

It’s another glorious April, and that means the broadcast world flocks to Las Vegas, where the National Association of Broadcasters event also attracts a cluster of affiliated conferences, and Backbone figures prominently in several of them.

On Sunday April 7, Backbone and TuneIn will team to broadcast the live proceedings of the Internet Radio industry’s most prominent event, the RAIN Summit (Radio and Internet Newsletter) from the Las Vegas Hotel and Casino.  Speakers and panelists include representatives from Pandora, ESPN, TuneIn, SoundExchange and many more.

Starting on Monday, Backbone will be actively recruiting new college (and high school) radio stations to join the expanding IBS Student Radio Network by Backbone.  Please stop by to visit our exhibit booth at the Broadcast Education Association’s BEA2013 Conference, also in the Las Vegas Hotel (formerly the Las Vegas Hilton).  We’ll show you how schools are taking their stations on the road for live events, using only a Mac and a mic.

And of course, NAB is the most exciting draw in the broadcast world, so we hope to see you there, too.

Tools for DJs – Spinitron, playlist management for Internet radio

Spinitron LogoWe are always looking for ways to help our radio stations operate more effectively and efficiently. We have recently come across a great tool to help DJs with a lot of their day to day efforts, Spinitron. Eva and Tom have put together a great solution. Let me tell you a bit more about what it does.

Spinitron is an online playlist management solution for non-commercial educational and community radio stations. It is all web based; there is no software to install. It provides sophisticated features for playlist data entry (manual & automated) and dynamic online publishing. It solves your data storage, archiving and security issues. You can integrate station schedule, current and historical playlists, as well as other custom elements, into your web site. You can put “Now Playing” on your home page, webcast stream, mobile apps, RDS and others.

With an advanced database design, Spinitron offers powerful data manipulation and analysis features. Compile Top-30 charts (or however many you like) with filtering by genre, time period, etc. Generate unlimited reports for CMJ, ASCAP, BMI, SESAC and SoundExchange. Track the popularity of artists, disks and songs. Query how often certain disks get played. Produce reports of what DJs at the station are playing to give to record companies and promotional agencies. Stay connected with your listeners.

Watch for other interesting developments as we start working together with them on a few projects.  Discover Spinitron with a 30-day no-obligation free trial. Contact: Eva Papp at eva@spinitron.com or 617-233-3115 to learn more.

IBS Student Radio Network Election Coverage . . .

Be sure to tune into Fisk and Simmons College radio for their perspective on the election.

Fisk University WFSK logo88.1FM WFSK Presents:  Live Election Night Coverage of local, statewide & national races beginning right after the polls close at 7pm.  Co-Anchored by Sharon Kay and Ron Wynn, WFSK will present on the ground perspective from key battleground states such as Ohio, Wisconsin & Virginia.

Hear the excitement as the returns come in from around Tennessee and other states.  WFSK hopes you get a chance to tune in during the course of this historic election coverage.  They stream at www.wfskfm.org or on Dar.fm or TuneIn.

Simmons College will be covering the election also but with a bit more of a slant toward Massachusetts politics because there school is not far from Romney headquarters.  The stream at Simmons College Radio or on Dar.fm and TuneIn.

IBS Student Radio Network stays on the air, Sandy has no impact

Sandy SwirlWhile hurricane Sandy has come and gone its impact is still being felt all of our stations stayed up and on the air.  A good number of our college radio stations had school canceled and did not have access to their studios but they all remained on the air.  This is enabled by the cloud based design and architecture of Backbone Radio and provides two major benefits.

The first is that your station is always available in the cloud.  Your station is not running the servers, we are.  And we have designed them to stay up and operational virtually all the time. When there have been outages in the past they are quite small and are often handled without the station’s intervention.

The second is that your studio is mobile.  A few of our stations did not have access to their studios so could not broadcast live.  If they planned ahead they could have broadcast live from anywhere there was an Internet connection.

Tres Wiggins, Marymount Manhattan: “We were on the air live when we could get an internet connection– but ran on backbone automation otherwise throughout, and working on post-storm coverage now”

Let’s hope the clean up goes well for all of those impacted.  With our stations continually on the air they will be out there to bring you updates.

College Radio Has a Reason to Thrive…Let’s Work on How

Keene State College logoI saw an interesting post on PolicyMic recently by Adam Hogue, where he relates his transition from a college radio broadcaster at Keene State to becoming an NPR listener, like his (egad) father, and the general decline of Radio from its golden era. What jumped off the page to me were his views about how the future of radio seems to be college radio, because it best serves today’s youth.   Here are some of the verbatim nuggets that appealed to me:

  • All around America, there are stations that people take regional pride in. Most of these stations turn out to be college radio stations.
  • The radio is communication. It is part of our communities, and as long as it continues to evolve with the communities, it will not die.
  • College radio should be the local voice of local youth. While radio is rapidly losing the young listeners demographic (people ages 12 to 24), I believe that it is the job of college radio to be the community alternative for young people.
  • College stations need to be out there in the community and they need to stay relevant with their fan-base in order to grow. Young people have time to listen if they are given a reason to.
  • People should be able to listen to programs from anywhere and enjoy them.  Today, radio has the power to be anywhere; it is no longer confined to a frequency alone.
  • Radio stations need to play music, no matter what the music is, and have local personalities that bring people in and keep them loyal…radio should be a way to learn about new music or just listen to what people have to say about it.
  • It helps that most college radio stations receive a solid amount of money from the school.… A problem occurs when the school sees radio as outdated or too costly, and the station is sold off to a community.

As I see it, this short list distills down to three main points we need to focus on in order to escape the death spiral that’s enveloping Commercial Radio.  Our College Radio stations (IBS Student Radio Network stations and others) need to:

  • Create compelling content to attract and hold onto loyal, repeat listeners,
  • Become an active participant in the community, no matter where your listeners are tuning in from, and
  • Become monetarily self-sufficient to keep from becoming a burden on their schools’ budgets.

We’re going to need some time to look at each of these points and create a plan of attack. There are other necessary improvement points, to be sure, and I’d like your input on those, as well.

I would like to invite comments, emails and blog posts from interested station managers and faculty advisors.  I think it’s time we put our collective network heads together and establish an action plan with some guidelines for how we might go about making these improvements.

IBS Student Radio Network underwriting opportunities

IBS LogoOver the years many of the members of the IBS Student Radio Network have asked about finding sponsors and underwriters for their shows, segments and stations.  This week we are launching a pilot program to work with some of the schools in finding underwriters and sponsors.

In the last year our stations have taken well over 1M listener connections.  As the school year progressed the audience engagement increased by over 50% as measured by the average length of a listener session.  Clearly the efforts of the schools to promote their stations and streams is making an impact.

Building off the success of the live events Backbone helped to power over the summer, from the HOT 97 Summer Jam in New York, to the Outside Lands in San Francisco to the recently concluded Bumbershoot Festival in Seattle, we will start this year off with a bang by broadcasting the Jamaica Plain Music Fest on the Simmons and Emmanuel College station streams.  These streams are available in the TuneIn tuner.  For this weekend they will be at the top of the college radio section as a sponsored link.

The college demographic is clearly a target that sponsors and underwriters would like to reach.  What better way than through the campus taste makers of the college radio stations.  If you are interested in being a sponsor or underwriter please contact us at underwriting@studentradionetwork.org.

Radio Dying? Not on your life.

Skull Headphones CigaretteHow many times have you heard it: “Adapt or die”?  It sounds heartless, yet it poses the essential question of radio’s survival.  Is radio dying?  Nope, but it is going somewhere else, and not by itself.

Take the recurring news of disappearing stations, like this post from the Dialy Iowan, College Radio Fights for Recognition, Funding.  To summarize the article, it provides some color about what is happening at many campuses — funding is being cut for the radio station or that the school is selling off its terrestrial radio frequency. In these economic times, it must be difficult for an administration to pass up millions of dollars for an FM station that continues to be worth less as Internet radio starts to become dominant.

So, that raises the question of whether a school that agrees to sell off its terrestrial radio signal can actually support a broadcast journalism program. Well, it’s not only schools. All media are facing similar challenges and looking for the best ways to respond.

Throughout the industry, you can see signs of a growing creative trend: integrated media.  For example, one of our newest member schools, Lehman College, has integrated its Internet radio station presence into its online newspaper, the Bronx Journal.  Media integration such as this was a persistent theme we heard at the CMA conference in New York last month.

We are also seeing mixed modalities in the mainstream media.  None other than the esteemed Wall Street Journal has integrated video into its site.  The Boston Globe has its Globe 10.0 video.  Sports radio powerhouse WEEI in Boston now has both an online presence and video on its site.

We first wrote about this in our white paper, The New Breed of College (and High School) Internet Radio-Surviving the Dinosaur.  It is more apparent now.  Journalism isn’t dying, either.  It is transitioning to a new paradigm as radio becomes a big part of it.  With evolving convergence occurring on the Internet, a college, university or high school can reach a much larger audience than it has in the past, using a truly integrated media strategy.  It is the path to the future.  Embrace it.

John Tesh and Connie Sellecca Donate to KCOD College Internet Radio

We’re proud to report that musician and radio personality John Tesh and his actress wife Connie Sellecca have generously donated broadcast hardware, Apple iMac computers and Backbone software & services to KCOD, the student-run radio station of The College of the Desert, in Palm Springs, CA.  The gift grew out of a panel discussion at the Dec. 3, 2011 Intercollegiate Broadcasting System (IBS) Conference in Los Angeles where Mr. Tesh was a panelist.

Tesh SelleccaWith this gift, KCOD, launched in the Spring of 2011, is the newest member station in the IBS Student Radio Network by Backbone (IBS-SRN).  The school notes that the station “has generated tremendous interest from students, broadcast professionals, potential sponsors, local politicians and the surrounding community.”  See more on the KCOD blog.
Listen to KCOD online.

From Wikipedia:
John Tesh is an American pianist and composer of pop music, as well as a radio host and television presenter. His 10-year-old ‘Intelligence for Your Life Radio Show‘ reaches 14.2 Million listeners/week, and is syndicated by Teshmedia on 400 stations in US, Canada, and the UK. Tesh has won six music Emmys, has four gold albums, two Grammy nominations, and an Associated Press award for investigative journalism. Tesh has sold over eight million records. His live concerts have raised more than $20 million for PBS. His NBC Basketball Theme has been hailed as one of the top three sports themes of all time. He is also known as the longtime co-host of the television program Entertainment Tonight. He has previously worked as a sportscaster for the Olympic Games, a news anchor and a reporter.

Never lose a listener

From time to time, we plan to invite notable industry experts to contribute to our blog about running your Internet radio station.  This is the first of those occasions, and we’re excited about it.

The primary thing that drives any radio station is content. That content drives listeners and builds your special community.  Today’s article is a conversation with Geller Media International President and author Valerie Geller.  Valerie was named 2011 recipient of the Conclave’s highest honor – the Rockwell Lifetime Achievement award for broadcasting.

Valerie GellerVALERIE GELLER Author – Beyond Powerful Radio- A Communicator’s Guide to the Internet Age for Broadcast, Podcast, Internet & Radio (Focal Press 2011)

Whether you podcast your show, are running an internet college station or “broadcasting” live over the airwaves, you already know – radio isn’t just “radio.” Audiences get their entertainment, music, news, and information – their “radio” on many platforms. There’s a lot of “noise” out there – competition for the time and attention of your listeners. That’s why it’s vital to insure that what comes out of the speaker (or mobile device) is relevant. They want relevant CONTENT. Audiences are fickle. According to PPM, we also have proof – they’ve generally got a SHORT attention span. Chances are, while they’re listening to your show, they’re also multi-tasking.

So what can you do to grow your audience and keep your listeners listening longer?

I coach talent all over the world and work one-on-one with air personalities – They all want to know “What’s the formula?”

The formula is simple: Listeners come when they are informed, entertained and engaged, they leave when they are bored. The success formula for growing radio audiences is based on deeply engaging your audience – by working with these three “Powerful Radio” principles:

1. Tell the truth
2. Make it matter
3. Never be boring.

HOW DO YOU “NEVER LOSE A LISTENER?

Beyond Powerful Radio coverThis KEY issue is a question I am asked, all over our planet. And the answers for keeping your audience, and getting them to listen longer, are pretty similar all everywhere on earth, whether I’m working with DJs, news reporters, talk hosts or producers in in the United States, Canada, England, Australia, Europe and Africa. The answer is: NEVER BE BORING.

To Create Powerful Radio: Your content must be relevant. If your listener is not engaged, or bored, it’s the kiss of death, he or she either “zones out” or TUNES out. When that happens, your listeners either leave the station mentally, or tune out physically, their attention goes elsewhere. One clue is to try to avoid “manufactured topics for air…” Always ask yourself:
If you would not talk about this subject OFF air, WHY are you talking about this on your show?

WHY DO LISTENERS LEAVE? WHAT MAKES ‘EM GO?

Think about it. Have you ever sat in your car, stuck in traffic waiting for the traffic report to come on? You WORK IN RADIO. You KNOW when that report is coming, so you wait. Or maybe you’re waiting to hear a song title. You want to find out the CD or the artist, but somehow you zone out…the report came and went or the song title came and went, and YOU MISSED IT? WHY? Because the person on air did NOT make it matter.

A misconception: Pace and tempo do not equate ENERGY. “Energy” does not equate MAKING IT MATTER. Storytelling makes it matter. A storyteller who CARES about what he or she is presenting is what always works. This is NOT an acting job. If it means something to the person on air, it’ll matter more to the audience. Part of telling the truth is being authentic, and genuinely caring about what you are talking about on air. Always focus on WHAT IS IN THIS FOR THE LISTENER?

WHAT ARE LISTENERS NOT GETTING FROM YOU?

When a listener leaves either mentally or physically and actually switches off the station, here is what is NOT happening. That listener is NOT engaged. He or she is BORED. ZONED OUT. Looking for another station or immersed in his or her own thoughts.

Try the following Powerful Radio techniques to engage your audience:

1. USE THE WORD “YOU.”
If there was a magic word to guarantee you could get the attention of a listener would you use it? Of course. And there is such a word. Radio’s Magic Word is: “YOU.” Always talk to the individual. Of course, logically you know intellectually that when you are talking on the radio you are in reality, talking to more than one person, but on the radio, the magic, the connection, the power of radio, is based on the feeling of intimacy between the presenter on air and each individual person listening. It never works as well on radio to talk to all those “folks” or “People out there listening” or “all of you…”

2. USE YOU instead of “I.”
Whenever you can, always try to talk to one individual. If you use YOU instead of We-Me-I or Us, listeners feel the deeper, and true connection. Think of the difference, “I have tickets to give away” or “You can win tickets.”

And it’s not just radio. A few weeks ago, I went looking at houses with a friend who has just had twins and they need more space. The estate agent said: “Now, this would be your kitchen over here. The bedrooms are upstairs, the guest room is in the back. Here, you could knock out a wall and make this an open plan. Your garden would be here, in the back…” This REALLY REALLY works.

Replacing YOU for “We, Me. I and Us takes a little time but it is worth the effort, as long as you have patience, and understand that as human beings, it is hard to change old habits. Perhaps you are familiar with the work of Australian based brain researcher Dr. Evian Gordon? (www.brainresource.com) If so, you may already know that according to the research, it takes a 1000 times of repeated behavior before you rewire your brain to change a habit, so KEEP TRYING. I have a stack of bright yellow “post-it” notes. They are everywhere and have the word YOU on them. It helps.

What else makes a listener leave?

3. TOO MANY COMMERCIALS or TOO MANY BAD COMMERCIALS
If you have commercials in your show, ask: Are your commercials causing a listener to tune out because a break is too long, or is the spot simply bad – boring, noisy, off message, or a wrong format fit? The same goes for public radio “sponsorships.” Never be boring. Research shows that your listeners actually like commercials and find them USEFUL when targeted correctly – if you’re in the market for a smart phone and you hear an ad that they’re half price at a local electronics store – you’re happy. You’ve gotten real information about a product or service that you want, and you can save money. When you air these sponsorship messages, the content should be targeted correctly and relevant.

4. GETTING THE LISTENERS YOU HAVE, TO STAY
While, there’s been so much emphasis on developing and getting NEW listeners, don’t forget that we also need to pay attention to keeping the audience you’ve already got onboard. Again, with the amount of choices people have for their time and attention, listeners are easily distracted. So how do you get a listener to listen LONGER?

5. AVOID THE MANUFACTURED TOPIC
As mentioned above, this is important. Try to think about your listener before you put anything on air. Avoid “manufactured topics.” Listeners feel it when it sounds like: “And now here is another topic manufactured to fill a bit on radio!” When they hear that, listeners tend to tune out. Ask yourself: If you are not talking about this OFF air, why is it on the air?

6. WIFM?
Always ask: What is in this for the listener? What’s in it for ME if I give you my time? A quick checklist: Is it interesting? Are they talking to me? Describing things visually? Is there humor? New Information? Talkable topics? Would you talk about this OFF air in normal conversation, if you did not have a radio show?

Some DJs or talk hosts get confused and think Personality means it’s all about YOU. But audiences care about THEMSELVES, not necessarily YOU. In personality radio, many personalities get confused and think if they talk about themselves it will be interesting. But powerful radio is not about YOU, it’s about the listener. The personal is universal, but the private tends to be boring.

7. WHAT DO LISTENERS WANT?
Your listeners want to be informed and entertained and have fun. They want new knowledge. If they are alone in room or alone in a car maybe they just do not want to feel alone. Listeners are hungry to feel connected in a somewhat isolated world that they find themselves in.
A listener wants to a connection to or “feel at home” with or comfortable with the person on air. They like to feel they “know” the person on air. Sometimes listeners like a little help in making up their minds, say, they are not completely certain of what they may think about a subject or topic, here they can get enough information or opinion or viewpoints to make up their minds. And in commercial radio, when the spots are effective, listeners say they like to learn about bargains, new products or services. And if a listener is having a down or despairing black moment, he or she wants to be lifted out of that mood.

8. GIVE THEM ‘TALKABLE’ TOPICS
We are lucky. Most people out there listening do not have exciting lives or careers. Because of this, listeners also desire “talkable topics.” They want to be able to turn the radio off and have ideas and interesting new things to say to people.

9. MAKE THEM LAUGH
Listeners also want vicarious experiences. They like to be taken on journeys they cannot get to on their own. And everybody loves to laugh. If you can make a listener laugh, it’s like handing them a solid chunk of gold.

10. TELL THEM SOMETHING NEW
Listeners to your station like to be in the know, they like learning new things. (They also appreciate help with their “show prep” for dinner, just in case they don’t have anything interesting to say to the people in their lives.) It works if you can give them material THEY can talk about. Listeners also want you to get ahead and lead them and give them ideas, things to think about.

11. SPEAK VISUALLY
Radio is an imagination medium. Even with photos and video on the internet, the spoken word can create powerful word pictures. Use these “colors” in your paint box to engage listeners. Remember to use details to speak visually and to paint word pictures. Imagine you are talking to one person, and person is a blind man or woman! How would you describe what you are talking about so the listener can “see it?”

12. Topic selection: HEALTH, HEART POCKETBOOK
What are audiences interested in? For years, the Frank Magid study of “health, heart, pocketbook” rules of topic selection applied. Today there is a new one. In addition to health, (personal safety) heart (touching emotion of any kind) and money stories, the newest category is Transformation. How YOUR life as a listener can be better tomorrow than it was or is today because of what you’ve heard on air. Radio stories and topics showing a listener what is possible. You don’t have to settle for the life you have. It can get better. This RIVETS audiences. (Think Oprah, think Extreme Makeover, DIY fixit shows, etc)

13. INSPIRE
Finally, listeners ALL want to feel good. If you can do that, you have that audience completely with you. And if you don’t care, they don’t care. Make it matter!

Valerie Geller’s POWERFUL COMMUNICATOR PRINCIPLES:

  1. Speak visually, in terms your listener can “picture.”
  2. Find, and start with, your best material.
  3. Tell the truth.
  4. Never be boring.
  5. Listen.
  6. Make it matter.
  7. Always address the individual, use “you.” Talk to ONE listener at a time.
  8. Do smooth and engaging transitions & handoffs.
  9. Promote, brag about your stuff.
  10. Brag about other people’s stuff.
  11. Be who you are.
  12. Take risks.  Dare to be great.

All rights reserved. Reprint with permission – Copyright Valerie Geller 2011 – excerpted from “Beyond Powerful Radio. Valerie Geller, president of Geller Media International is a broadcast consultant, trainer, seminar/workshop leader, keynote speaker and talent coach working with radio and TV programmers, managers, on air personalities and broadcast journalists throughout the world, to help grow audiences through creating powerful radio. “Beyond Powerful Radio – A Communicator’s Guide to the Internet Age” is Geller’s fourth book. For more, visit beyondpowerfulradio.com or gellermedia.com. Phone 212 580-3385, email valerie@gellermedia.com, Follow her on twitter: twitter.com/vgeller

IBS Student Radio Network covers the NH Primary recap

Tuesday was the first in the nation primary held in New Hampshire.  It was a great day as Emma Bisogno from Simmons College Radio, Joseph Jack Horgan from Emmanuel College Radio and Leona Smith from Zumix Radio covered the event.  Elena Botkin-Levey, director of Zumix Radio was there to help everything run smoothly.  This is the first time the IBS Backbone Student Radio Network has covered a Presidential primary election.”  We’d like to thank Talkers Magazine for sponsoring radio row and for making it a great day.

Sununu with IBS-SRNHere is a summary video put together by Talkers Magazine on the event.  Many of the talkers would like us to look beyond entertainment and become engaged in the political process.  An interesting thing to note is how these talkers view their audience as a community.  The difference between twenty years ago and today is the number of tools that they can bring to bear to grow their community, network and footprint.  Twitter and Facebook are used in real time for audience feedback, questions, topics and even news items.

We have lots of pictures of the student radio network stations broadcasting from the event. There is also more on the topic as the lead article in today’s Talker’s magazine summary.

While there we caught up with Oliver Janney, the faculty advisor for Goucher College radio, while he was working the primary for CNN in Manchester.  Great job covering the primary!

What an outstanding on-the-job learning experience this proved to be! We’re proud that our member stations have such a ready reserve of talent to cover world class events like this.  We hope this is just the beginning for our stations and their unique network.